This album can stand its ground next to most of their newer albums. It shows the origins of their sound, and how they developed it, not to mention the humorous lyrics which are now a staple part of NOFX’s songs.
01 Green Corn 1:44
02 The Moron Brothers 2:26
03 Showerdays 2:10
04 Food, Sex & Ewe 1:47
05 Just The Flu 2:03
06 El Lay 1:14
07 New Boobs 3:27
08 Cheese/Where’s My Slice? 2:16
09 Together On The Sand Vocals [Singed By] – Izzy Drew Lynn Written-By – Izzy* 1:12
10 Nowhere 1:34
11 Brain Constipation 2:24
12 Gonoherpasyphlaids 1:43
13 I Don’t Want You Around 1:39
14 The Malachi Crunch 2:53
Don’t you know how this album sounds? Listen to a sample:
Biography of NOFX:
Formed in Berkeley, California, in 1983 and relocating to Los Angeles not long afterwards, NOFX steered clear of major labels and commercial exposure over the course of their career, recording an impressive number of full-length albums plus an assortment of EPs and singles. The band started out as a trio comprising vocalist/bassist Fat Mike (Mike Burkett), guitarist Eric Melvin, and drummer Erik Sandin (aka Erik Ghint/Erik Shun). Sandin quit in 1985, and his place was taken by Scott Sellers; that same year, NOFX also recorded two 7" EPs for the Mystic label, No F-X and So What If We're on Mystic? Sellers quit shortly thereafter and was replaced by Scott Aldahl for only two weeks, at which point Sandin rejoined the band; vocalist Dave Allen also joined in 1986, but his tenure was tragically cut short by a fatal car accident. Dave Casillas joined as a second guitarist later in the year, by which point NOFX's touring schedule had become far-ranging and rigorous. The EP The P.M.R.C. Can Suck on This was released on Fat Mike's own Fat Wreck Chords label in 1987. Casillas departed the group in 1989 and was replaced by Steve Kidwiller for NOFX's first full-length album, S&M Airlines, which was released on the legendary punk label Epitaph; the band remained there ever since, despite the release of several albums -- such as 1995's I Heard They Suck Live -- and EPs on Fat Wreck Chords, which gradually grew into a premier stable of punk revival artists.
Ribbed Having appeared on 1990's Ribbed and 1991's Liberal Animation (which was actually recorded in 1988), Kidwiller left the band in 1991, and Aaron Abeyta became the permanent second guitarist (as well as trumpeter), adopting the nickname El Hefe. Dragged into the mainstream spotlight by the mid-'90s success of labelmates Bad Religion and the Offspring, NOFX compensated with albums like 1992's White Trash, Two Heebs and a Bean that were even closer to the anti-commercial extreme, exemplified by White Trash's accompanying single, "Please Play This Song on the Radio," which lured un-alert radio programmers with a tight melody, but ends with a stream of obscenities. The El Hefe-anchored lineup continued to blossom with 1994's Punk in Drublic; often regarded as the band's best, the album was eventually certified gold. Releases on Fat Wreck Chords continued throughout the '90s, as did the full-length Epitaph albums, like 1996's grungier, less uptempo Heavy Petting Zoo, 1997's punkier So Long & Thanks for All the Shoes, and 2000's Pump Up the Valuum and Bottles to the Ground; the latter album followed an experimental Fat Wreck Chords EP titled The Decline, which consisted entirely of the 18-minute title track. Next up was the Surfer EP, which showcased select sloppy cuts in spring 2001, with the first 500 copies on colored vinyl.
That Weren't Good Enough to Go on Our Other Records In 2002, NOFX sifted through countless tapes and recording sessions, eventually collecting 47 songs for 45 or 46 Songs That Weren't Good Enough to Go on Our Other Records. "Pimps and Hookers," which was the only new song on the album, was recorded in one day. Later that year, BYO Records got the band to release the NOFX/Rancid split album BYO Split Series, Vol. 3. This particular album had Rancid covering six NOFX tracks while NOFX returned the favor by switching up six Rancid songs. The four-song EP Regaining Unconsciousness came out in March 2003 and served as a teaser for May's The War on Errorism, released on Fat Wreck and littered with political criticisms. Given the band's outspoken and leftist nature, it was not surprising when they launched Punk Voter, a movement of punk bands that sought to politically empower disenfranchised youth and vote George W. Bush out of office. The organization still remained in action, even after Bush's 2004 reelection.
Never Trust a Hippy Back on the music front, NOFX next released the EP Never Trust a Hippy in March 2006, the full-length Wolf in Wolves' Clothing one month later, and the live album They've Actually Gotten Worse Live! the following year. The band's 11th studio album, Coaster, arrived in 2009, paired with a documentary of the band's international 2008 tour in the form of the Fuse network's series Backstage Passport. In 2012 NOFX offered up a more self-aware set of songs on their 12th studio album, Self Entitled. A number of singles followed, and were collected on 2013's Stoke Extinguisher, which featured a new track, as well as the B-sides from the previous year's 7" releases. Fat Mike spent much of 2014 writing songs for a punk rock musical entitled Home Street Home. Along with the rest of NOFX, he collaborated with members of Alkaline Trio, Dance Hall Crashers, The Living End, and even Tony Award-winning vocalist Lena Hall on the soundtrack, which arrived in early 2015 as the final touches were put on the theatrical production.
First Ditch EffortNOFX released the warts-and-all autobiography The Hepatitis Bathtub and Other Stories in 2016, while also announcing the release of their 13th studio album, First Ditch Effort. Released in October, the album was preceded by the harder-edged single "Six Years on Dope," which documented Fat Mike's troubles with substance abuse and his subsequent clean-up. In 2018, after courting controversy for comments made about the 2017 Las Vegas mass shooting, NOFX were pulled from festival slots and canceled their U.S. tour. Their third live album, Ribbed: Live in a Dive, arrived that August.
Don't miss the other albums we have from NOFX:
Recorded by Brett Gurewitz of Bad Religion/Epitaph fame, NOFX, in 1988, proved to be a formidable challenge for even him. The sound is very raw and loose; the lyrics are slightly humorous at best and sophomoric at worst. Compared to the brilliant work that followed after the band became serious, it's a tough listen. Liberal Animation sounds as if a talented, up-and-coming band somehow got three days in a studio with a legendary producer but didn't yet know how to take advantage of such an opportunity, so instead turned it into a laughable experience. After selling it independently with dismal results, the band finally turned it over to Epitaph in 1991. One song, "Beer Bong," still creeps into the band's set list and features Fat Mike belching on command.
|Punk in Drublic|
With their 1994 album Punk in Drublic, NOFX truly hit their stride. The quartet didn't change their approach at all -- at their core, they remain a heavy, speed-addled, hook-conscious post-hardcore punk group -- but their songwriting has improved, as has their attack. Prior to this record, they merely showed promise, but with Punk in Drublic they fulfilled their potential.
A good buy, but not the the classic NOFX sound of the 90's, it is surprisingly influenced by metal, and there are few great songs. However, it's essential for any NOFX fan looking to see how they developed as a band.
This was NOFXs 2nd album, released in 1989, (Liberal Animation was originally released before this, but then re-released in 1991 on Epitaph). It is 12 tracks long, although one of them is a cover of a Fleetwood Mac song, and the album is under 34 minutes long.
|So long and thanks for all the shoes|
In 1997, three years after the fan favorite Punk in Drublic, NOFX released the often overlooked So Long and Thanks for all The Shoes. Its one of their most likeable albums, containing 16 songs packed with ska influences and their usual brand of humor.
The album gets off to a nice start with the aggressive opener Its My Job To Keep Punk Rock Elite. The song takes a stab at sell outs and has lines like "Music ain't your fucking industry". Other songs are extremely short but catchy such as Murder The Government or Monosyllabic Girl.